SELECTIVE BREEDING
2024

Company
IVONA
Choreography
Pablo Girolami
Dancers
Guilherme Leal, Lou Thabart, Kiran Bonnema, Sara Ariotti, Isidora Markovic, Katarzyna Zakrzewska
Dramaturgy
Karen Stenico
Music
Live Mix by Vermouth Gassosa
Lighting design
Marco Policastro
Stage design
Zaches Teatro
Duration
60 minutes
Premiere
5th May 2023 – TanzOFFensive, Hannover
Co-production
House of IVONA;
TanzOFFensive / EISFABRIK Hannover, Leipzig Tanzt! 2024
With the support of
ARTEFICI.ResidenzeCreativeFVG/ArtistiAssociati-Centro di Produzione Teatrale;
Progetto residenza Compagnia Abbondanza/Bertoni in collaborazione con il commune di Rovereto;
Centro di Residenza della Toscana (Armunia – CapoTrave/Kilowatt);
CSS Teatro stabile di innovazione del FVG, Residenze delle arti performative a Villa Manin;
The Selective Breeding residency is supported by the European Festivals Fund for Emerging Artists – EFFEA, an initiative of the European Festivals Association (EFA), co-funded by the European Union;
Regione Friuli Venezia Giulia;
MIC (Ministero italiano della Cultura).
A scientist, a butcher, three chicks, and a salmon.
Corn grows to giant sizes, turkeys have lost their ability to reproduce, cows produce an incredible amount of milk, and dachshunds stretch in absurd proportions.
In the frantic quest to improve human living standards, animal welfare is systematically violated.
Selective Breeding explores complex themes tied to survival, genetic manipulation, and the ethical implications of enhancing species through artificial selection. The performance uses the concept of a “kaleidoscope” to reflect on these issues, questioning the relationship between humans and consumerism, land and exploitation, dignity and the protection of the ecosystem’s life. The aim is to trace a scenario that opens the door to a renewed awareness.
The protagonists are some of the actors that have inhabited more than 3.5 billion years of evolution on Earth so far, essential for the survival of Homo sapiens.
Embracing Darwin’s theory of evolution through natural selection, we observe how it is not necessarily the strongest individual who survives, but the one who best adapts to the surrounding environment.
Selective breeding, on the other hand, promotes only the survival of humankind—in prosperity and luxury; there is an undeniable arrogance in every human manipulation of nature.
While Darwin’s research and the practice of selective breeding are distant from one another, they share a common principle: survival.
This contradiction reflects the relationship between science and art. From this, emerges our curiosity to investigate the mutual influence these two disciplines—seemingly antithetical—have on a procedural level. A great dose of creativity is needed to make scientific discoveries, and in our case, artistic expression through dance is often a product of knowledge.